A monospace typeface inspired by “Johnston Sans”, the corporate font of the public transport system of London. Mixed with some typical typewriter shapes, a large x-height and a generous character width. For better legibility it comes with some duo-space alternatives and ligatures. Bold style in progress.→ Available at typocopter.com
An almost forgotten online archive gives an insight into the beginning of the Netlabel culture from the 1990s. This project translates their ideas and values (non-profit, open-source, anti-capitalistic) to the present age. By scanning the pages with the accompanying app, one can listen to the music. The book and all its content is published under a Creative Commons License in an edition of 15 copies.→ More
There was no graduation catalogue for a long time at Hochschule Mainz. Unfortunately the works and projects of the former students got lost. Archiving, indexing and sorting are the main themes in this catalogue and the identity for the graduation show “Place Your Work Here” in summer 2017.
When text is rendered by a computer, sometimes characters are displayed as “tofu” — little boxes to indicate your device doesn’t have a font to display the text. Google has been developing an open source font family called Noto, which aims to support all existing languages. The name Noto is to convey the idea that Google’s goal is to see “No more Tofu”. This booklet is a tribute to that disliked symbol and contains a collection of more than 100 tofus.
Chatbots are able to analyse texts, they look for patterns and word combinations to adapt the way of talking. By teaching them “Ring Tone Text Transfer Language” (RTTTL) developed by Nokia to transfer ringtones to cellphones, my chatbots create music while talking. Based on pieces by Beethoven they learned to compose. In the end I translated the RTTTL scores back into common music notation and recorded a live interpretation by Ernst Seitz. The results are captured on vinyl records made with a laser cutter. Listen to the music below.
Series of booklets containing lectures about typography. First two issues by Gerard Unger and Ute Brüning. Commissioned by Designlabor Gutenberg, Hochschule Mainz.→ Available here
A typeface inspired by musical notation and the physical process of creating sound. Every letter has influence on its previous letter, what makes the whole text moving until one stops typing.→ Specimen